The folks at Art Bead Scene Studio feature awesome artwork every month, and challenge their readers to create art beads, and art-bead-incorporating jewelry, inspired by the artwork. May’s inspiration is a piece, Primavera, by Sandro Botticelli.
This month, so far, has not been very good for me health-wise, and I was contemplating not making any jewelry and not participating in challenges, since there were (a) zero ideas popping up in my head and (b) I didn’t know if I’d be physically up to making anything. And yesterday, just like that, something clicked, and a concept that I’d wanted to try out for a while came together with some color choices and ideas that might just work for this challenge. (Probably.) I was feeling better, too, so with some breaks, I just might manage it. (And obviously, I did. 😉 )
The polymer clay pendant that I made has multiple components, each of which required some quick individual baking before they all came together. It can be worn right side up or upside down (so there are really two right sides 😉 ), which is an added bonus that I hadn’t anticipated!
Right side up…
And now the other side 🙂
The inside – a bead
The inside is a flat bead whose color contrasts with the outside. The color was originally a coral red from some scrap pieces that I has lying around, which I changed by using chalks. To make this bead, I used a clay sheet from 3rd thickest setting on my pasta machine. I stamped a texture on it, cut it out to a rough triangular shape, and then brushed in various chalks on it. Next was a quick bake of 15min. After baking, I lightly sanded the piece to make the colors work better with the texture.
The outside – a dome
The outside is a curved, hole-filled dome. I used a black clay sheet, again from 3rd largest thickness on my pasta machine. I don’t own small graduated cutters, so I improvised. I used successively larger sizes of ball stylus tools to shape and enlarge ‘pits’, scraping out excess clay from the pits from time to time. This works fine as long as care is taken to not accidentally tear the sheet while working on the pits. (I had to restart a couple of times.)
Once done, I cut out a larger triangle following the shape of the earlier bead. I then stamped wavy patterns on the sheet with gold Perfect Pearls. I shaped this piece on a curved surface and baked for another 15min.
The back, with a bail
On a clay sheet from 2nd thickest setting on my pasta machine, I stamped a random texture, and cut the sheet following the contour of the outside dome.
For the bail, I first cut a length of 16-gauge wire, curved it, and bent it at the top and bottom so that the bent sections can serve as anchors. I poked a hole each near the top and the bottom of the clay sheet (to correspond to the start of the bends on the curved section of the bail wire.) I then inserted the wire so the curved section is on the textured side of the sheet, and the bent sections sit on the other (inner) side. I baked this for 15min.
I set the pieces in place, adhering them to one another using TLS. For the edge, I used a strip of clay of 3rd smallest thickness on my machine. I then baked the assembly for 25min.
If I try this concept again, I’d like to make the edge strip lie neater by ensuring that the dome component has no holes near the edges. Also, I’ll probably need to ensure a better fit of the edges of individual components by carving those edges after the quick bakes.
So that’s the pendant! It might seem like a lot of baking, but the results seem worth it, don’t they?