DIY Buffing Wheel Results

I used the little slices from my earlier mokume gane attempt to make a veneer, and sat down for a session of testing my buffing wheel with pieces made from the veneer.

Attempt #1

I made a hollow earring pair. Then I buffed and I buffed and I buffed for what seemed like ages, and… there’s only the tiniest bit of sheen. What the…?! It’s supposed to buff up more quickly than that! I’ve even used the same tee shirt that I use for hand buffing, so the only change is the addition of the tool. Could it be the clay piece that’s the problem?

Buffing difference

So I hand-buffed the other earring, and there’s zero sheen on it. The only other time this happened to me was when I tried to buff a Sculpey III piece and discovered that it likes to stay matte regardless of how long you buff. Don’t tell me I used Sculpey III for the colors in my mokume gane! (I know for a fact that the white is Premo.)

Attempt #2

I do really want to use the mokume gane slices before they dry up and become difficult to use — I had old veneers tear on me on more than one occasion when I tried to work with them. So I sparingly added the mokume gane slices over more Premo white than earlier, and tried buffing again. This time, I made three similar cabs to use up the mokume gane sheet. These are not hollow, though — they have a Sculpey Original base. I baked, sanded and buffed them, and the sheen is much better on these!

Buffing - sheen with more Premo!

Miscellaneous

As for the hollow earrings from my first attempt, I applied a thin layer of Kato liquid clay and waved a heat gun over them for a quick sheen.

Hollow Mokume Gane Earrings

I also ended up making other (mostly stud) earrings from the remaining tiny mokume gane slices.

Miscellaneous Mokume Gane Earrings

I still have a thick sheet of the mokume gane block left, and I need to figure out soon how to use it up. In the worst case, I’ll make a Natasha bead from it.

What Next?

For my next buffing trial, I’ll make some ‘fully Premo’ pieces and try for a higher gloss, and I’m guessing the results would be better. πŸ™‚ If they do turn out better, I’ll want to buy a lighter tool since the drill I’m using is pretty heavy to hold over extended periods of time, even when it’s partially supported on a table top.

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Twisted Herringbone Bud Bracelet

I came across this herringbone bracelet video by Jennifer Biedermann recently, and since I wanted to try out Herringbone stitch anyway, I just *had* to make this!

Twisted Herringbone Bud Bracelet

Twisted Herringbone Bud Bracelet

I don’t have 15/0 beads that would match any of the 11/0 beads that I thought were suitable for this project, so I scrapped the 15/0’s. Also, I decided to make the buds a bit organic, using the local ‘non-uniform’ beads available where I live. For the main body, I used Preciosa 11/0 metallic green beads. It says green on the label but they’re multi-hued, as the picture shows.

The flower buds in mine don’t line up, and I think that contributes to the organic nature of the buds. My only gripe here is that the twisty nature of the rounds obscures the ‘herringbone’ness of the stitch. πŸ™‚ It’s a tiny little minor gripe, though, because I’m pretty happy with this project.

I’d thought of finishing the project with a button and loop clasp, but had postponed looking for a suitable button. (I think you know where this is going.) Well, I didn’t find any round one that would work. I could finish differently, but I really, really wanted to try out a button and loop one. And I wanted to try it right then. So I picked the best matching bead (though it’s a faceted cylindrical bead) and decided to just go with it. I do like how the finishing turned out, though I can’t help imagining how it’d look with a round bead. I’ll probably make a clay bead the next time I can’t find a matching bead, and toughen up and accept the delay in the creation of the bracelet. πŸ˜‰

Do you prefer a particular kind of finishing for bracelets? Or does it depend on your project, or maybe your mood? πŸ™‚

Soutache Earrings

A PCA-inspired project that I truly loved researching and working on — Polymer Clay Soutache earrings!

Before I registered for PCA, I had no idea what soutache is. I might actually have pinned soutache jewelry onto my macramΓ© board, for all I know. But after some wandering around the Internet with a purpose, I ended up loving soutache! I think it creates beautiful and elegant pieces. Maybe at some point in my life, I’ll create jewelry using actual soutache. But until then, there’s Jana Murinova’s course on PCA for imitating the technique using polymer clay. πŸ™‚

Imitation Soutache Earrings with Polymer Clay

Imitation Soutache Earrings with Polymer Clay

I chose a color palette that I normally don’t choose, because they were in my old clay stash. I’ve been trying to finish off this stash so I can use more of the new clay that I bought recently. However, the hard-to-condition clay wasn’t really suited for this project — it kept breaking while I worked with it, and I had to attach it again so the breaks aren’t visible, and try to continue where I left off. I did manage to make both earrings resemble each other and look good, but all my eyes can notice are the numerous points where the clay is smooshed due to reattaching. In hindsight, I could’ve just abandoned this after a point, and started with some new clay, but obviously, I didn’t. Anyway, with some good, ‘conditionable’ clay, I’m pretty sure the pieces would end up neater and just gorgeous!

I used faux half pearl beads (those flat-backed, hemispherical ones) as focal pieces and embellishments for my earrings, and would you know, the bubblegum colorway of the clay started to look more elegant! πŸ™‚ Also, the seed beads, I feel, certainly add to the daintiness. When I started the bake, I just never gave a thought to whether the pearl beads might be affected, and surely enough, they were. They’d melted slightly, but more importantly, their sheeny finish was no more — it’s like they’d aged 15 years. I ended up painting these beads with some metallic pearl white acrylic, because they wouldn’t come off the earrings with gentle pries. (So now I know I’m good at setting components in clay. πŸ˜› )Β  In the future, I really must remember to take them off before baking, and reattach them later with some E6000.

Well, that’s that, and I can’t wait to wear these!

Do you like the look of soutache jewelry? If you’re like me and hadn’t heard of this technique till now, go ahead and look up some pictures — you might end up loving it!

Chenille Bracelet with Beaded Bead

Chenille Bracelet with Beaded Bead

Chenille Bracelet with Beaded Bead

I used tubular Chenille stitch for this bracelet. (Sara Spoltore has a detailed video tutorial for this stitch.) The finished pattern in mine looks different from hers because of the bead types that I used — a small change in size or type makes for quite a change, doesn’t it? πŸ™‚ The beads that I used here are Preciosa 11/0 gold seed beads, and Japanese 11/0 haematite seed beads. (Wish I knew what type of Japanese beads these are — I bought them before I was into beading, and it just says ‘Japanese 11/0’ on the label.)

I’d started this bracelet intending for it to be an open one, though I admit I hadn’t thought of the finishing. Then, I discovered that the rope was turning out stretchy and elastic, and I decided to make the bracelet a closed one. I’d like to think I’ve improved at joining two ends of a rope as seamlessly as I possibly can, and I’m pleased with the join in this project. (I just try to maintain the look of the pattern in the join too, as best as I can.) However, I did end up twisting the rope by 1 stitch while joining, so the pattern lines form not circles but a mΓΆebius! No harm done, though. πŸ˜‰

Also, I now add at least two overhand knots when I weave in tails, so I can sleep peacefully knowing that the piece is secure. πŸ™‚

Because of the design change from open to closed, the bracelet started to look kinda plain, and I thought I’d make a focal beaded bead around it. I’d just finished watching the Interlace Beaded Bead video by Bronzepony Beaded Jewelry, so I used that here, using the same haematite 11/0’s from my bracelet, and some small pearl beads that seemed to fit the pattern. I finished the edges of the bead with the gold 11/0’s.

I love how this bracelet turned out, and I totally love slipping it on and off my wrist! πŸ˜€ How about you — do you change your design often after you start working on a project?

Opposite Earrings

Another PCA-inspired project this time — an earring pair with the stripes in one running in a direction opposite to the other.

Opposite embellished earrings

The course that inspired me is Embellished veneer cabochons by Debbie Crothers. Debbie teaches how to make cabochons by applying multiple veneers, created using various techniques, onto a surface. A key component in her veneers — silkscreens — is still elusive in my local market, so I decided to work without silkscreens. I made some new veneers, and also reused leftover ones from other projects. I also made some stud earrings to attach the dangles to. I love the studs too. πŸ™‚

I finally used some techniques that I’d been wanting to for a while —

I applied gold foil onto my clay. I rubbed the foil backing with my fingers, and the transfer was decent. Maybe it’ll be better with some quick waves of a heat gun? I’ll need to try that out sometime.

I also used liquid clay on the surface for some glossy shine! I have to consciously stop myself from abusing this technique. πŸ™‚

I had some plans to fill up the zigzagging line in the middle, but in the end, I decided to scrap them. I’m pretty happy with this pair.

Wire Weave Bangle

Time for a wire weaving project!

I made a wire-weave bangle last week, with a pearl bead duo forming the focal element.

Wire weave bangle

Wire weave bangle

Or it could be a wire-weave tiara, if you ask my favorite model, Penguin. πŸ˜‰

Wire weave tiara?

For this bangle, I used three 16-gauge base wires and a 24-gauge weaving wire, both in a gold color. (Yup, I still use the thick wires that I ordered a long time ago.) I cut the base wires just a tiny bit longer than the intended circumference of the finished bracelet, because I wanted to add some small focal element in the end to actually finish it.

I kept my weaving wire uncut, since I’m still not good at estimating the length of wire I might need. I’d thought of measuring the wire as I unwind more and more of it, but somewhere along the way, I lost track. (This is what happens if you watch movies while working on projects! πŸ™‚ )

I left a margin of about 2-3cm (1″) when I started to weave. The pattern is an uncomplicated one — loop twice around bottom two base wires, loop twice around top two, repeat. The weaving itself was fun, since I also had the aforementioned movie-watching to accompany it. When I reached the end, I left the same margin as the beginning. At each end, I curled the middle base wire into loops, and bent its companion wires around it. That was the difficult part — since these are 16-gauge wires, it’s pretty difficult to make minute adjustments with them, and it was impossible to not nick the wires.

I then gradually curved the entire strip into an open bangle. To close it, I strung two pearl beads onto a length of wire, added eye loops at both ends of the wire and attached it to the loops of the bracelet.

I’m pretty happy with this bangle. πŸ™‚ My next bangle will have a new weave, of course, but I’ll also make at least one more of this one, maybe with a different color of weaving wire, since both my sis and my mom like it!

Textures and Molds

Now that I have new clay, I went through my paltry stash of textures and molds, and wondered if the items in it work for the techniques that I see in jewelry tutorials and courses. I’ll not be ordering internationally any time soon because of the recent tax restructuring we’ve had here, and it looks like my orders will become more expensive than they already are right now, and burn larger holes in my non-existent women’s jeans pockets. πŸ˜‰

The texture sheets with me are mostly the flowers-and-leaves variety — not really meant for jewelry. There are one or two patterned ones too, which I thought I could use. These are good for applying post-texture surface treatments like Perfect Pearls, but since they’re not that deep, they’re not really suited for much else. I used one of them for making earrings (picture below), and that was as deep a texture as I could get. I couldn’t do much else with it, so ended up adding a border and some Perfect Pearls. As for the other texture sheet, I’d used it to try out my first Sutton Slice recently, and it was hard, hard work — I’d wanted texture sheets with more depth even then. πŸ™‚

Earrings - texture tryout

Earrings – texture tryout

As for the molds, again, most are flowers and such, and a few gear ones that I can probably use for Steampunk jewelry. There were a couple of small ones that I used a while ago to make button beads, which I then used for some beaded jewelry. No larger ones that I could use, though. I finally used a vintage art decor mold to see if it’d work as a pendant, and made a hollow pendant (picture below.) Not too bad, but not too good either. Also, this too depends on the shiny stuff, because trying to use a patterned sheet etc. with this mold will distort the design. I reused a Perfect Pearls bedecked flower that I’d created from a mold for an earlier notebook cover project. This flower can make some nice tiny stud earrings, right?

Pendant - mold tryout

Pendant – mold tryout

Well, at least while I tried these experiments, I realized that I’ve now gotten pretty good with Skinner blends. πŸ˜€ I like the green-to-yellow gradient here. I’m also getting the hang of making hollow beads / pendants, so that’s good.

Later, my sister mentioned that the mold I used was one of her purchases, and then we ended up going through her card-making stash of stamps, which I’d somehow thought was only comprised of flowers and critters. πŸ™‚ Some of the stamps might work for a few polymer clay techniques (hopefully.) There’s also some foils that we bought recently, so I’m looking forward to more experiments!