Twisted Herringbone Bud Bracelet

I came across this herringbone bracelet video by Jennifer Biedermann recently, and since I wanted to try out Herringbone stitch anyway, I just *had* to make this!

Twisted Herringbone Bud Bracelet

Twisted Herringbone Bud Bracelet

I don’t have 15/0 beads that would match any of the 11/0 beads that I thought were suitable for this project, so I scrapped the 15/0’s. Also, I decided to make the buds a bit organic, using the local ‘non-uniform’ beads available where I live. For the main body, I used Preciosa 11/0 metallic green beads. It says green on the label but they’re multi-hued, as the picture shows.

The flower buds in mine don’t line up, and I think that contributes to the organic nature of the buds. My only gripe here is that the twisty nature of the rounds obscures the ‘herringbone’ness of the stitch. πŸ™‚ It’s a tiny little minor gripe, though, because I’m pretty happy with this project.

I’d thought of finishing the project with a button and loop clasp, but had postponed looking for a suitable button. (I think you know where this is going.) Well, I didn’t find any round one that would work. I could finish differently, but I really, really wanted to try out a button and loop one. And I wanted to try it right then. So I picked the best matching bead (though it’s a faceted cylindrical bead) and decided to just go with it. I do like how the finishing turned out, though I can’t help imagining how it’d look with a round bead. I’ll probably make a clay bead the next time I can’t find a matching bead, and toughen up and accept the delay in the creation of the bracelet. πŸ˜‰

Do you prefer a particular kind of finishing for bracelets? Or does it depend on your project, or maybe your mood? πŸ™‚

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Soutache Earrings

A PCA-inspired project that I truly loved researching and working on — Polymer Clay Soutache earrings!

Before I registered for PCA, I had no idea what soutache is. I might actually have pinned soutache jewelry onto my macramΓ© board, for all I know. But after some wandering around the Internet with a purpose, I ended up loving soutache! I think it creates beautiful and elegant pieces. Maybe at some point in my life, I’ll create jewelry using actual soutache. But until then, there’s Jana Murinova’s course on PCA for imitating the technique using polymer clay. πŸ™‚

Imitation Soutache Earrings with Polymer Clay

Imitation Soutache Earrings with Polymer Clay

I chose a color palette that I normally don’t choose, because they were in my old clay stash. I’ve been trying to finish off this stash so I can use more of the new clay that I bought recently. However, the hard-to-condition clay wasn’t really suited for this project — it kept breaking while I worked with it, and I had to attach it again so the breaks aren’t visible, and try to continue where I left off. I did manage to make both earrings resemble each other and look good, but all my eyes can notice are the numerous points where the clay is smooshed due to reattaching. In hindsight, I could’ve just abandoned this after a point, and started with some new clay, but obviously, I didn’t. Anyway, with some good, ‘conditionable’ clay, I’m pretty sure the pieces would end up neater and just gorgeous!

I used faux half pearl beads (those flat-backed, hemispherical ones) as focal pieces and embellishments for my earrings, and would you know, the bubblegum colorway of the clay started to look more elegant! πŸ™‚ Also, the seed beads, I feel, certainly add to the daintiness. When I started the bake, I just never gave a thought to whether the pearl beads might be affected, and surely enough, they were. They’d melted slightly, but more importantly, their sheeny finish was no more — it’s like they’d aged 15 years. I ended up painting these beads with some metallic pearl white acrylic, because they wouldn’t come off the earrings with gentle pries. (So now I know I’m good at setting components in clay. πŸ˜› )Β  In the future, I really must remember to take them off before baking, and reattach them later with some E6000.

Well, that’s that, and I can’t wait to wear these!

Do you like the look of soutache jewelry? If you’re like me and hadn’t heard of this technique till now, go ahead and look up some pictures — you might end up loving it!

Chenille Bracelet with Beaded Bead

Chenille Bracelet with Beaded Bead

Chenille Bracelet with Beaded Bead

I used tubular Chenille stitch for this bracelet. (Sara Spoltore has a detailed video tutorial for this stitch.) The finished pattern in mine looks different from hers because of the bead types that I used — a small change in size or type makes for quite a change, doesn’t it? πŸ™‚ The beads that I used here are Preciosa 11/0 gold seed beads, and Japanese 11/0 haematite seed beads. (Wish I knew what type of Japanese beads these are — I bought them before I was into beading, and it just says ‘Japanese 11/0’ on the label.)

I’d started this bracelet intending for it to be an open one, though I admit I hadn’t thought of the finishing. Then, I discovered that the rope was turning out stretchy and elastic, and I decided to make the bracelet a closed one. I’d like to think I’ve improved at joining two ends of a rope as seamlessly as I possibly can, and I’m pleased with the join in this project. (I just try to maintain the look of the pattern in the join too, as best as I can.) However, I did end up twisting the rope by 1 stitch while joining, so the pattern lines form not circles but a mΓΆebius! No harm done, though. πŸ˜‰

Also, I now add at least two overhand knots when I weave in tails, so I can sleep peacefully knowing that the piece is secure. πŸ™‚

Because of the design change from open to closed, the bracelet started to look kinda plain, and I thought I’d make a focal beaded bead around it. I’d just finished watching the Interlace Beaded Bead video by Bronzepony Beaded Jewelry, so I used that here, using the same haematite 11/0’s from my bracelet, and some small pearl beads that seemed to fit the pattern. I finished the edges of the bead with the gold 11/0’s.

I love how this bracelet turned out, and I totally love slipping it on and off my wrist! πŸ˜€ How about you — do you change your design often after you start working on a project?

Beaded Earrings for a Set

I made companion earrings to wear with my beaded pendant — the image-transfer one. While I was looking up stitches to use, I ran into a tutorial by Bronzepony Beaded Jewelry for exactly the design I had in mind! That’s the second time this month I’m running into ready-to-use recipes for stuff that I want to make. (The first one was for my latest knitting project.)

Beaded earrings using CRAW

Beaded earrings using CRAW

For these earrings, I used the size-8 green beads and smaller size-15 brown beads that I’d used for the pendant. I made 12 units of Cubic Right Angle Weave (CRAW) with the larger beads, and embellished them with the smaller beads — one small bead between two large ones on the inner curves of the cubes, and two small beads in a similar fashion on the outer curves.

CRAW was not difficult to understand at all — not all difficult. I mean, it’s way too easy to imagine constructing a cube — first a floor, then walls, then ceiling. The execution of the first unit, though, was a different matter. Invariably, while I pulled the thread through the beads, I would lose my grip on the tiny setup that I created thus far, and then, it would be extremely difficult to bring the orientation back to where I was, and figure out which bead to go into next. I would just turn and turn the connected beads in my hand, all the while scratching my head. I tried to use the stop bead as reference, but it didn’t work for me. I even tried Jill Wiseman’s ‘taco’ style of construction, but with similar confusions.

After a couple of failed starts, I solved the problem by threading my stop bead into position at the center of the reinforced first square. That helped provide a ‘proper’ reference point for me. It was smooth sailing from then on.

When I was done constructing the drops, I threaded a couple of faux pearl beads into head pins, and attached each pearl-duo to a piece. I made eye loops at the top, and added ear wires to complete the earrings.

Button beads for… beading!

Yippee! The beading gods have finally heard my prayers. My local stores now sell Preciosa seed beads, so I don’t have to order uniformly sized beads from overseas. <Dances a little jig.> So I now have beading needles, beading thread, aaaand… beads! I’m all set to practice some beading. Peyote stitch, get ready to be conquered!

Antiqued polymer clay flower / button beads

I made these button beads from polymer clay, thinking I’ll work some beading around them whenever I’m done learning a few beading stitches. I used a mold for these beads, and used acrylic paints for antiquing. The mold impressions are deep at the edges, and there’s a whole lot of paint there that I just couldn’t get rid of, but I’m not bothered much. After all, they’ll all be obscured by the beading. πŸ™‚

Hope against hope that I get to working more on these soon. I’m chugging along on a knitting project right now, though. I’m on the edging for one sleeve, and then I’ll only have one sleeve left so I’m pretty eager to finish that too. Hmm, I think I can aim for beading practice only next week.

Am I too greedy to hope that Miyuki seed beads become available locally too? πŸ™‚

Heart earrings

Okay, it’s Valentine’s day again. I’m not a fan of special days that are invariably associated with many expectations of gifts and much pressure to have a great day. πŸ˜› Anyway, here are a pair of heart earrings that I made. Not with this day in mind, they just seemed the easiest stencil to use from a Sculpey template that I bought recently. Until I found that working with them was actually kinda difficult. But I persevered, and well, here they are:

Heart earrings from polymer clay

Heart earrings from polymer clay

For the base, I used dark chocolate colored Premo clay with a reddish tinge, which also has red and silver glitter in it. It needed some hand conditioning along with machine conditioning, because too much machine conditioning can eventually push quite a bit of the glitter to the edges.

Cutting out the hearts was the easy part. My knife did slide too much in the clay because I’d conditioned the clay so well that it was like butter I was clumsy, but I managed to smooth over those nicks later. I cut out a slice from a pinkish colorway cane that I’d made quite a while ago, and laid it on a part of one heart. After many attempts at making the heart puffy, and ending up with as many bad bruises on the clay, I decided that puffing can wait for a shape with all smooth edges, and that I’d stop trying it with a heart with a sharp angle at its top. (On second thought, the bruising was also probably because the cane was Sculpey III, which is super-soft.)

So I went back to the drawing board. I cut pieces from the cane-embellished heart, leaving out the unrepairable bruised areas. I made another heart, arranged the cane pieces on the new heart pair, and flattened them. In the middle of each, I embedded some seed beads. I laid the hearts on a curved surface and baked them. (Yup, a consolation for not making the hearts puffy.)

After baking, some seed beads fell off on their own, and I pried the rest off. I like how they’ve left traces of their insides on the clay, like they’re not truly gone. πŸ˜‰

Then, it was time to try out my first ever sanding. I used coarser (400) to finer (2000) grits and wet-sanded for a while, and buffed the pieces for some more time. Yes! A sheen, finally! (The cane was Sculpey III, and it apparently doesn’t like to turn shiny. Always something new to learn, and that’s what makes it fun for me.) I might eventually buy a machine for sanding and buffing, but for now, I’ll just rely on my arms.

To finish the pair, I connected them to ear wires with jump rings as usual.

Kumihimo bracelet

I tried out Kumihimo again, though I know the beads I have are not really suitable — the more even ones are too small, show the thread, and don’t settle down well; and the larger ones are too uneven. :)Kumihimo bracelet

This is a 12-strand Kumihimo bracelet. After braiding only with the threads for about 0.5cm, I threaded an equal number of beads into all strands, and incorporated them into the braid. I added 1+2+1 cream+brown+cream beads for the next section. At this point, I became involved in another project and forgot all about this one. When I came back to this, I realized that I’d forgotten how many beads I’d added in the first section! πŸ˜€

I tried counting, but lost track. Then deciding that I didn’t want to undo the braid just to count the beads, I just winged it, and added 6 beads in each of the strands. It looked fine then (though it doesn’t now…) Anyway, I continued with the two sections until the rope was about 16cm long. I braided some 0.5cm more with just the threads, applied glue on the braid and snipped the threads off. Then, forming two pieces of wire eyelets at both ends, I secured bead caps at both ends.

To finish the bracelet, I attached jump rings and a lobster claw clasp. I also added a little leaf charm to one of the jump rings. So cute! ❀

In other news, I decided to take the plunge into international orders, and placed one for beads (not seed beads) with Fire Mountain Gems and Beads during a sale recently (not a Thanksgiving one). I’m delighted with the purchase! The downside is that the shipping costs end up being more than 50% of the order, and customs duty is about 30% on order+shipping, which means my pocket will be lighter by almost double the actual price of the items. Worth it? Only if most of my purchases happen during a sale and are 50% (or more) off! πŸ˜€