Tassels, Tassels, Tassels

Beadwork magazine had an article a while ago about submissions for Fast and Fabulous projects with tassels. Reading that made me realize that I’ve not really made much tassel jewelry. I do like tassels, so I wonder why I haven’t… Anyway, now that I had an opportunity and some inspiration, why not?

I selected 11/0 seed beads in three related colors for a pair of tasseled earrings.

Beaded Tasseled Earrings

The tassels

I made each tassel have five equal-sized strands. For each of these strands, I used 40 beads, with same colored seed beads for 3/4th of its length. For interest, the last 1/4th of each strand is made of a random assortment of the 11/0 beads in the above colors and another darker color, and a white 8/0 bead. I attached the top of the strands to a small jump ring that fits inside an end cap. To fix the jump ring in place within the end cap, I used a wire length with an eye loop through the jump ring. I brought the other end of the wire out through the top of the end cap, and made an eye loop on the outside as well.

The assembly

I attached the tassels to a large bead cap using small lengths of chains. I added some interest by varying the lengths of the chains, so the tassels are at different heights.

These earrings had to go through a few design changes for the assembly, and they turned out to be quite long, longer than I’d intended. That’s a blessing in disguise, though, because they look like just the pair to wear on a dazzling evening!


ABS Challenge – Feb – Star Lovers | Jewelry

The folks at Art Bead Scene Studio feature beautiful artwork every month, and challenge their readers to create art beads, and art-bead-incorporating jewelry, inspired by the artwork. February’s inspiration is a piece, Star Lovers, by Warwick Goble.

ABS Challenge Feb 2018 -- Inspiration

I’d first made beads for the challenge, which I detailed in my previous post, and now, it’s time for some jewelry with these beads.

Jewelry #1

I made this set inspired by the main colors from the picture, adding to the color of the beads. As usual, I had a different idea at first, but the making process took me in a different direction. (Mostly because the intersection of compatible colors from the clay, from the ones in the picture, and from the beads in my stash is a small, difficult one.) I’m not disappointed with the results, though.

ABS Challenge Feb 2018 -- Earrings #1

I used quite a few faux beads of gunmetal color as accessories to the polymer beads, most of them as connectors for the beads in the necklace. The wire work is just a basic eye loop plus wire securing by winding it at both ends. I combined some of the faux beads to form bunches for an element of fun, since the color scheme began to look (and feel) a bit monotonous.

ABS Challenge Feb 2018 -- Necklace

The gunmetal beads look lighter or darker depending on the amount of ambient light, and of course, I clicked these pictures at different times of the day. (I like them better when they’re lighter.)

Jewelry #2

I made these earrings inspired by the flowing elements in the picture, with a couple of secondary colors added in.

ABS Challenge Feb 2018 -- Earrings #2

In each earring, I connected two triangular beads so the flow of the swirling patterns in them becomes additive. The placement of the jump rings, with the silver metallic beads and creamish faux pearl beads, adds to the flow of the pattern.

That’s it for today!

Overall, the beads were fun to make, but the jewelry was a bit tedious because of difficulties finding stuff that works with the color and shape of the beads. Isn’t that what a challenge is for, though? 😉

ABS Challenge – Jan – Spring

The folks at Art Bead Scene Studio have been featuring awesome artwork every month, and challenging their readers to create jewelry inspired by the artwork — the only rule being that at least one art bead is used. I’ve been a lurker so far, observing the artwork, and admiring the Perfect Pairing showcases where ABS features a jewelry piece.

This time, I’ve decided to participate. Sometimes, a good challenge is what’s needed to get those creative juices flowing, isn’t it?

ABS Challenge Jan 2018 -- inspiration

January’s inspiration is an Art Nouveau piece, Spring, by Frances MacDonald. The first thing I noticed was that it featured Ultraviolet, the Pantone color of 2018. Then, the graceful forms of the women, the symmetry — these caught my eye.

At first, I thought of making a set of earrings and pendant that would also work for an upcoming wedding that I’ll attend. But the more I tried to make it work, the more it didn’t. Finally, since we anyway decided to use some jewelry that we already own, I was free to just let creativity guide me.

ABS Challenge Jan 2018 -- Polymer Clay beads

I made a Skinner blend from polymer clay in violet and green, the Pantone colors of this year and last year. (A nod to Janus and duality and all that. 😉 ) I used it as the veneer for a long bead that reminded me of the elongated form of the women. I’d use this bead in a pendant. To add some interest to the bead, I stamped a pattern on it with silver Perfect Pearls. Since there was a bit too much scrap clay left, I stamped the same pattern on it too, and rolled two smaller beads from it paper-bead style. These would work for earrings.

After baking the beads, my plan of beading with the main bead didn’t really work, so I switched to wire. Symmetry in wire is hard for me, and I eventually ended up ditching the symmetry aspect; the beads are symmetrical enough! 😉 Instead, I opted to be inspired by the element of waviness in the picture, and set the wire in wavy, interlocking shapes all around the bead. For the smaller beads, I didn’t interlock the wire, just made it spiral around them. As accessories to the clay beads, I added potato beads, also encased in wire.

ABS Challenge Jan 2018 -- Wire-Encased Polymer Clay Jewelry

I must admit I had no idea this is how the pieces would turn out until I actually made them, and the results are a pleasant surprise. Thank you, ABS, for a super-creative month-end!

New Year Gifts

Our group of friends got together for the New Year, and I thought I’d make some small gifts for them. I made them pretty much in the last minute since I wasn’t too well recently, but I’m glad everyone ended up getting something. I’d created a couple of extras just in case, and it was perfect for the couple of unexpected people that turned up. 🙂

Since I made these without much time to spare, I optimized by using the same clay from start to finish. I mixed Black Sculpey Premo, Glittery-Yellow Fimo Effect and Red/Brown Sculpey Soufflé to get the color I wanted. I used a mold for the main ‘shell’, and a color or three of Perfect Pearls to add some glorious shine to it (mostly obscuring the clay’s color 😉 but hey, shiny is the solution when you’re short on time. 😛 ) I poked some holes to add jump rings later.

New Year Gifts - Polymer Clay Earrings

New Year Gifts – Polymer Clay Earrings

For the keychain charms, I placed the shells on rectangular bases of the same clay, and added strips of clay for the borders. I scored the borders with an X-Acto blade for some texture. A quick dash of Perfect Pearls here and there, and a hole for a jump ring, and the items were ready to bake.

New Year Gifts - Polymer Clay Keychain Charm

New Year Gifts – Polymer Clay Keychain Charm

I must admit that even using pre-made jewelry components (the ear wire and the tiny beads at the bottom), the fiddly jump rings and eye loops ate up a lot of time. I also found that I didn’t have keychain rings with me, so I had to attach just the one jump ring.

Turns out my sis and I like the earrings too, so I made a couple more today. 🙂

Hope you have tons of creativity coming your way in the new year as well. Happy New Year!

DIY Buffing Wheel Results

I used the little slices from my earlier mokume gane attempt to make a veneer, and sat down for a session of testing my buffing wheel with pieces made from the veneer.

Attempt #1

I made a hollow earring pair. Then I buffed and I buffed and I buffed for what seemed like ages, and… there’s only the tiniest bit of sheen. What the…?! It’s supposed to buff up more quickly than that! I’ve even used the same tee shirt that I use for hand buffing, so the only change is the addition of the tool. Could it be the clay piece that’s the problem?

Buffing difference

So I hand-buffed the other earring, and there’s zero sheen on it. The only other time this happened to me was when I tried to buff a Sculpey III piece and discovered that it likes to stay matte regardless of how long you buff. Don’t tell me I used Sculpey III for the colors in my mokume gane! (I know for a fact that the white is Premo.)

Attempt #2

I do really want to use the mokume gane slices before they dry up and become difficult to use — I had old veneers tear on me on more than one occasion when I tried to work with them. So I sparingly added the mokume gane slices over more Premo white than earlier, and tried buffing again. This time, I made three similar cabs to use up the mokume gane sheet. These are not hollow, though — they have a Sculpey Original base. I baked, sanded and buffed them, and the sheen is much better on these!

Buffing - sheen with more Premo!


As for the hollow earrings from my first attempt, I applied a thin layer of Kato liquid clay and waved a heat gun over them for a quick sheen.

Hollow Mokume Gane Earrings

I also ended up making other (mostly stud) earrings from the remaining tiny mokume gane slices.

Miscellaneous Mokume Gane Earrings

I still have a thick sheet of the mokume gane block left, and I need to figure out soon how to use it up. In the worst case, I’ll make a Natasha bead from it.

What Next?

For my next buffing trial, I’ll make some ‘fully Premo’ pieces and try for a higher gloss, and I’m guessing the results would be better. 🙂 If they do turn out better, I’ll want to buy a lighter tool since the drill I’m using is pretty heavy to hold over extended periods of time, even when it’s partially supported on a table top.

Soutache Earrings

A PCA-inspired project that I truly loved researching and working on — Polymer Clay Soutache earrings!

Before I registered for PCA, I had no idea what soutache is. I might actually have pinned soutache jewelry onto my macramé board, for all I know. But after some wandering around the Internet with a purpose, I ended up loving soutache! I think it creates beautiful and elegant pieces. Maybe at some point in my life, I’ll create jewelry using actual soutache. But until then, there’s Jana Murinova’s course on PCA for imitating the technique using polymer clay. 🙂

Imitation Soutache Earrings with Polymer Clay

Imitation Soutache Earrings with Polymer Clay

I chose a color palette that I normally don’t choose, because they were in my old clay stash. I’ve been trying to finish off this stash so I can use more of the new clay that I bought recently. However, the hard-to-condition clay wasn’t really suited for this project — it kept breaking while I worked with it, and I had to attach it again so the breaks aren’t visible, and try to continue where I left off. I did manage to make both earrings resemble each other and look good, but all my eyes can notice are the numerous points where the clay is smooshed due to reattaching. In hindsight, I could’ve just abandoned this after a point, and started with some new clay, but obviously, I didn’t. Anyway, with some good, ‘conditionable’ clay, I’m pretty sure the pieces would end up neater and just gorgeous!

I used faux half pearl beads (those flat-backed, hemispherical ones) as focal pieces and embellishments for my earrings, and would you know, the bubblegum colorway of the clay started to look more elegant! 🙂 Also, the seed beads, I feel, certainly add to the daintiness. When I started the bake, I just never gave a thought to whether the pearl beads might be affected, and surely enough, they were. They’d melted slightly, but more importantly, their sheeny finish was no more — it’s like they’d aged 15 years. I ended up painting these beads with some metallic pearl white acrylic, because they wouldn’t come off the earrings with gentle pries. (So now I know I’m good at setting components in clay. 😛 )  In the future, I really must remember to take them off before baking, and reattach them later with some E6000.

Well, that’s that, and I can’t wait to wear these!

Do you like the look of soutache jewelry? If you’re like me and hadn’t heard of this technique till now, go ahead and look up some pictures — you might end up loving it!

Opposite Earrings

Another PCA-inspired project this time — an earring pair with the stripes in one running in a direction opposite to the other.

Opposite embellished earrings

The course that inspired me is Embellished veneer cabochons by Debbie Crothers. Debbie teaches how to make cabochons by applying multiple veneers, created using various techniques, onto a surface. A key component in her veneers — silkscreens — is still elusive in my local market, so I decided to work without silkscreens. I made some new veneers, and also reused leftover ones from other projects. I also made some stud earrings to attach the dangles to. I love the studs too. 🙂

I finally used some techniques that I’d been wanting to for a while —

I applied gold foil onto my clay. I rubbed the foil backing with my fingers, and the transfer was decent. Maybe it’ll be better with some quick waves of a heat gun? I’ll need to try that out sometime.

I also used liquid clay on the surface for some glossy shine! I have to consciously stop myself from abusing this technique. 🙂

I had some plans to fill up the zigzagging line in the middle, but in the end, I decided to scrap them. I’m pretty happy with this pair.