Opposite Earrings

Another PCA-inspired project this time — an earring pair with the stripes in one running in a direction opposite to the other.

Opposite embellished earrings

The course that inspired me is Embellished veneer cabochons by Debbie Crothers. Debbie teaches how to make cabochons by applying multiple veneers, created using various techniques, onto a surface. A key component in her veneers — silkscreens — is still elusive in my local market, so I decided to work without silkscreens. I made some new veneers, and also reused leftover ones from other projects. I also made some stud earrings to attach the dangles to. I love the studs too. πŸ™‚

I finally used some techniques that I’d been wanting to for a while —

I applied gold foil onto my clay. I rubbed the foil backing with my fingers, and the transfer was decent. Maybe it’ll be better with some quick waves of a heat gun? I’ll need to try that out sometime.

I also used liquid clay on the surface for some glossy shine! I have to consciously stop myself from abusing this technique. πŸ™‚

I had some plans to fill up the zigzagging line in the middle, but in the end, I decided to scrap them. I’m pretty happy with this pair.

Textures and Molds

Now that I have new clay, I went through my paltry stash of textures and molds, and wondered if the items in it work for the techniques that I see in jewelry tutorials and courses. I’ll not be ordering internationally any time soon because of the recent tax restructuring we’ve had here, and it looks like my orders will become more expensive than they already are right now, and burn larger holes in my non-existent women’s jeans pockets. πŸ˜‰

The texture sheets with me are mostly the flowers-and-leaves variety — not really meant for jewelry. There are one or two patterned ones too, which I thought I could use. These are good for applying post-texture surface treatments like Perfect Pearls, but since they’re not that deep, they’re not really suited for much else. I used one of them for making earrings (picture below), and that was as deep a texture as I could get. I couldn’t do much else with it, so ended up adding a border and some Perfect Pearls. As for the other texture sheet, I’d used it to try out my first Sutton Slice recently, and it was hard, hard work — I’d wanted texture sheets with more depth even then. πŸ™‚

Earrings - texture tryout

Earrings – texture tryout

As for the molds, again, most are flowers and such, and a few gear ones that I can probably use for Steampunk jewelry. There were a couple of small ones that I used a while ago to make button beads, which I then used for some beaded jewelry. No larger ones that I could use, though. I finally used a vintage art decor mold to see if it’d work as a pendant, and made a hollow pendant (picture below.) Not too bad, but not too good either. Also, this too depends on the shiny stuff, because trying to use a patterned sheet etc. with this mold will distort the design. I reused a Perfect Pearls bedecked flower that I’d created from a mold for an earlier notebook cover project. This flower can make some nice tiny stud earrings, right?

Pendant - mold tryout

Pendant – mold tryout

Well, at least while I tried these experiments, I realized that I’ve now gotten pretty good with Skinner blends. πŸ˜€ I like the green-to-yellow gradient here. I’m also getting the hang of making hollow beads / pendants, so that’s good.

Later, my sister mentioned that the mold I used was one of her purchases, and then we ended up going through her card-making stash of stamps, which I’d somehow thought was only comprised of flowers and critters. πŸ™‚ Some of the stamps might work for a few polymer clay techniques (hopefully.) There’s also some foils that we bought recently, so I’m looking forward to more experiments!

Beaded Earrings for a Set

I made companion earrings to wear with my beaded pendant — the image-transfer one. While I was looking up stitches to use, I ran into a tutorial by Bronzepony Beaded Jewelry for exactly the design I had in mind! That’s the second time this month I’m running into ready-to-use recipes for stuff that I want to make. (The first one was for my latest knitting project.)

Beaded earrings using CRAW

Beaded earrings using CRAW

For these earrings, I used the size-8 green beads and smaller size-15 brown beads that I’d used for the pendant. I made 12 units of Cubic Right Angle Weave (CRAW) with the larger beads, and embellished them with the smaller beads — one small bead between two large ones on the inner curves of the cubes, and two small beads in a similar fashion on the outer curves.

CRAW was not difficult to understand at all — not all difficult. I mean, it’s way too easy to imagine constructing a cube — first a floor, then walls, then ceiling. The execution of the first unit, though, was a different matter. Invariably, while I pulled the thread through the beads, I would lose my grip on the tiny setup that I created thus far, and then, it would be extremely difficult to bring the orientation back to where I was, and figure out which bead to go into next. I would just turn and turn the connected beads in my hand, all the while scratching my head. I tried to use the stop bead as reference, but it didn’t work for me. I even tried Jill Wiseman’s ‘taco’ style of construction, but with similar confusions.

After a couple of failed starts, I solved the problem by threading my stop bead into position at the center of the reinforced first square. That helped provide a ‘proper’ reference point for me. It was smooth sailing from then on.

When I was done constructing the drops, I threaded a couple of faux pearl beads into head pins, and attached each pearl-duo to a piece. I made eye loops at the top, and added ear wires to complete the earrings.

Beadwork!

I finally sat down and finished the beaded jewelry set that I was working on! And I’m pretty thrilled with the result!

Beadwork Jewelry

Beadwork Jewelry

These are essentially beaded bezels around the polymer clay button beads that I made a while back. I used Peyote stitch for the bezel, of course. I started this at around the same time that I made the Peyote stitch tube, so the beads are still the non-uniform ones. I love how the pieces have turned out, though. Making the loops and connections was pretty fun too — especially when I got the ones on the central piece of the necklace correct with just a bit of planning ahead. πŸ™‚

Now that my stash has uniform beads, and more importantly, since I’m more confident in my beading skills, I can’t wait to make my next beading project. I’m afraid I’ll feel the need for size 15 beads soon, and they’re not available locally. (I used size 11 in the current pieces, and had to stitch differently in the innermost row because the beads were too big.)

Natasha Beads

I know Natasha beads involve slicing, and Sculpey III is probably not the best clay to use when it comes to slicing. But I had this Sculpey III cane of green, brown and white that I’d made when I started claying, and I haven’t really been able to find a use for it, so I decided to just ‘destroy’ it. And what’s a more satisfactory way to destroy clay than to make Natasha beads from it! πŸ™‚ Even if the beads might not turn out fully symmetrical, because not only is Sculpey III so soft and pliable, but it’s already really, really hot here these days…

Natasha beadsI first thought of making keychain charms from the cuboidal Natasha beads, and they didn’t have to be super-perfect. In fact, I had to cool the clay multiple times in the refrigerator to be able to slice it without squishing it. (It’s still a bit squished, though :) but like I said, I didn’t need the pieces to be perfect.) I attached eye pins before baking, securing the pins by bending them slightly before inserting into the beads.

Natasha bead keychain charmsI sanded and buffed the beads so they’re smooth. (Sculpey III doesn’t ever end up with a shine.) When I showed them to my folks, they thought they’d make great earrings. So my sis picked two beads that are more similar than the others (at least in size — these beads never turn out the same!) and I ended up making an earring pair and two keychain charms!

Natasha bead earringsThey’re pretty easy to make, especially if you use clay harder than Sculpey III. Do you think you’ll make some? :)

Carved beads jewelry

My next project in PCA 2017 is inspired by the Night Out Necklace from Shannon.

Carved beads jewelry - PCA 2017

Carved beads jewelry – PCA 2017. Perfect Pearls shine! ❀

Shannon’s necklace involves hand carving beads. I have great self-awareness when it comes to my knife skills — I know that I’m bad with knives and constantly afraid I’ll slice my thumb off πŸ˜› — so bead carving was going to be a challenge for me. (Gulp!) Not one that I’d shy away from, although I wouldn’t make as many beads as Shannon did. Partly because, you know, too much knife time, and partly because I’d like my jewelry better in a slightly different design.

Making the beads was fun, and even more fun was applying Perfect Pearls on them. Ooh, the shine! The combinations! I used Berry Twist with a hint of Perfect Bronze. (Or was it Perfect Copper? I knew I should’ve jotted down the colors right then.)

I’ll admit the carving was strangely therapeutic, and I’m relieved my thumb is still intact πŸ˜€ but I’ll need a lot (and I mean a whole lot) more practice to make those slices neater. More practice, and more experience to figure out the science behind when they slice off easily and when they don’t. The edges of the focal bead (the cuboidal one) were much easier for me to work on. Maybe it’s the angle of the surface? Was it just that I’d gotten more comfortable by the time I picked up this bead? I’ll need to know more, and boy am I gonna do more carving! πŸ™‚

Back to the jewelry. Another first for me was using a drill bit to make a hole at the bottom of the focal bead, where the tassel is attached. A bold move, considering that it’s the focal! πŸ˜‰ It went well though, and I love how neat the hole looks. I’m officially sold on post-bake holes.

I made tassels from leftover Nako Comfort Stretch yarn, and picked a variety of bead caps, and attached them to the main focal bead and the two spherical beads. Since there’s only one hole for the tassel on the focal bead, and that support is not sturdy enough, I used E6000 adhesive to make it stick and stay there better. Next time, I’ll bake the bead with the wire already in it.

Lastly, I attached the earwires to the earrings, and some bead caps and eye loops to the pendant. That’s it!

Heart earrings

Okay, it’s Valentine’s day again. I’m not a fan of special days that are invariably associated with many expectations of gifts and much pressure to have a great day. πŸ˜› Anyway, here are a pair of heart earrings that I made. Not with this day in mind, they just seemed the easiest stencil to use from a Sculpey template that I bought recently. Until I found that working with them was actually kinda difficult. But I persevered, and well, here they are:

Heart earrings from polymer clay

Heart earrings from polymer clay

For the base, I used dark chocolate colored Premo clay with a reddish tinge, which also has red and silver glitter in it. It needed some hand conditioning along with machine conditioning, because too much machine conditioning can eventually push quite a bit of the glitter to the edges.

Cutting out the hearts was the easy part. My knife did slide too much in the clay because I’d conditioned the clay so well that it was like butter I was clumsy, but I managed to smooth over those nicks later. I cut out a slice from a pinkish colorway cane that I’d made quite a while ago, and laid it on a part of one heart. After many attempts at making the heart puffy, and ending up with as many bad bruises on the clay, I decided that puffing can wait for a shape with all smooth edges, and that I’d stop trying it with a heart with a sharp angle at its top. (On second thought, the bruising was also probably because the cane was Sculpey III, which is super-soft.)

So I went back to the drawing board. I cut pieces from the cane-embellished heart, leaving out the unrepairable bruised areas. I made another heart, arranged the cane pieces on the new heart pair, and flattened them. In the middle of each, I embedded some seed beads. I laid the hearts on a curved surface and baked them. (Yup, a consolation for not making the hearts puffy.)

After baking, some seed beads fell off on their own, and I pried the rest off. I like how they’ve left traces of their insides on the clay, like they’re not truly gone. πŸ˜‰

Then, it was time to try out my first ever sanding. I used coarser (400) to finer (2000) grits and wet-sanded for a while, and buffed the pieces for some more time. Yes! A sheen, finally! (The cane was Sculpey III, and it apparently doesn’t like to turn shiny. Always something new to learn, and that’s what makes it fun for me.) I might eventually buy a machine for sanding and buffing, but for now, I’ll just rely on my arms.

To finish the pair, I connected them to ear wires with jump rings as usual.