Crackled Effect

There are many methods to achieve a crackled effect on clay. This time, I used one of those veneers that I said started to tear when I tried to peel it off the enclosing plastic sheet.

I first dried out the sheet by placing it (tears and all) between two sheets of blank ordinary paper. To speed up the process, I placed some heavy objects over the setup to apply constant pressure on the sheet. I had to change the paper sheets a couple of times until the clay was dry enough to my satisfaction.

I then placed this on a sheet of white backing clay, and ran my roller over it to ensure it stays put. Then it was pasta machine time. I ran the sheet through my pasta machine a few times, reducing the thickness setting in every successive run. I also rotated the sheet 90 degrees for each run, so the cracks are more spread out instead of running in a single direction.

I used the veneer to make items for trying and testing a few things. I forgot to click a picture of the steps or of the veneer itself — I was eager to get the baking done in the limited time I had. However, here’s a low-quality picture of the items post-bake, still lying in my foil-laced tray.

Items from Crackled Veneer

I’ve made some pieces with a topmost layer of translucent clay so I can try out glossy buffing with my DIY buffing wheel. (Hope I get to it soon, and more importantly, hope it works.) The others, I’ll either leave as is or apply a liquid clay glaze, depending on what I make from them.

I love this crackling process, as well as the result! My success here has emboldened me enough to consider trying to crackle gold foil / leaf on clay — I’m so looking forward to that! I need to pre-plan how I’m gonna use it, though; I definitely do not want to let it dry out and eventually tear / crumble.


Attempt at Mokume Gane

Now that I have a good amount of clay at my disposal, I tried my hand at some Mokume Gane.

I layered multiple sheets of different clay colors, and used a texture plate for my first try at pressing down on the ‘block’, and quite a few presses with a blade. When I tried slicing a few layers, I realized the impression wasn’t deep enough. For my second attempt, I used a stamp instead of the texture plate. And this time, I loved the patterns!

Mokume Gane attempt

I still need to work on my slicing, though. My slices turn out tiny — I probably move the blade upwards as I slice. And when I compensated for that, I ended up gouging out a huge section! (Ugh… 😀 ) I’m hoping I’ll be able to slice away nice, thin, large layers as I practice more.

Of course, I’ll still use the tiny slices — and the gouged out part — from this attempt as veneers for some jewelry.

Until my next post, then!

Opposite Earrings

Another PCA-inspired project this time — an earring pair with the stripes in one running in a direction opposite to the other.

Opposite embellished earrings

The course that inspired me is Embellished veneer cabochons by Debbie Crothers. Debbie teaches how to make cabochons by applying multiple veneers, created using various techniques, onto a surface. A key component in her veneers — silkscreens — is still elusive in my local market, so I decided to work without silkscreens. I made some new veneers, and also reused leftover ones from other projects. I also made some stud earrings to attach the dangles to. I love the studs too. 🙂

I finally used some techniques that I’d been wanting to for a while —

I applied gold foil onto my clay. I rubbed the foil backing with my fingers, and the transfer was decent. Maybe it’ll be better with some quick waves of a heat gun? I’ll need to try that out sometime.

I also used liquid clay on the surface for some glossy shine! I have to consciously stop myself from abusing this technique. 🙂

I had some plans to fill up the zigzagging line in the middle, but in the end, I decided to scrap them. I’m pretty happy with this pair.