Fantasy Scenery on Glass

Fantasy Scenery on Glass

Fantasy Scenery on Glass

Hmm, this was actually supposed to be a sea life vase, if I’d fully followed the PCA course taught by Marlene Brady. As I’ve come to discover, extensive sculpting is not really my favorite. And as I’ve known for the longest time, extensive repetition is not something that interests me either. Unfortunately, this project combines the two. I felt tired just watching all the repetitive sculpting that Marlene does 😛 and decided to make a really sparse version of her vase, just to help me learn about working with translucent clay on glass.

Instead of a large vase, I used a little jar. Of course, the jar is not tinted like Marlene’s is, so I added ‘artistic tinting’ using runny streams of acrylic paints on the inside of the jar. It looked good, and I can tell you I was tempted to call it a day with just that. 😀 However, I moved on to the sculpting.

I don’t own a sea life mold, and don’t plan to buy one in the near future either, so I dropped the turtles and fish from my version. However, the rest of it is the repetitive bit, so I changed my scenery to a fantasy one, with flower-like and weed-like objects floating here and there, so that I don’t have to make too many of them. 😉

Fantasy Scenery on Glass

I don’t own colored translucent clay either — I have some plain translucent clay, and it was still in its pack. I mixed small chunks of ‘regular’ Premo clay to color it. Good thing I’m of the ‘add-in-small-quantities’ type, because I learned that a tiny, tiny amount of colored clay is enough to tint the transparent one. (In my next coloring experiment, I’ll use tiny, tiny amounts of alcohol inks!)

So after a lot 😉 of sculpting, I baked the piece, and as you can see, it looks great with light streaming through it! The clay sticks well to the glass, too, although I’ve not tried destructive things like peeling or scratching it away…


Ever since I discovered that Sculpey III is brittle and not really suited for most of the polymer clay work I’m interested in, I’d thought of buying sampler packs of other clays. I finally ordered some of Premo!, Premo! Accents and Soufflé.

The package arrived, and I eagerly sat down to play with the clay. To my disappointment, I found that it was ancient stock, and I just couldn’t condition the clay at all. When my hands finally started aching from all the pressing and rolling (I haven’t bought a conditioning machine yet), I began looking for what other people do to make old clay ‘like new.’ Apparently, most people throw away the clay if it’s this bad. Well, I spent a lot of money on mine, and throwing it away isn’t an option. What else you got, The Internet? Some suggestions popped up about adding mineral oil or baby oil to the clay. Okay, I could do that.

It worked! Really well, in fact. I still don’t know how the oil-conditioned clay will behave over months (or years), but for now, it’s made me happy I decided to try out these new clays. I was apprehensive about the post-bake quality, but the finished products are sooo sturdy. I made two earrings and a buckle.

The earrings

To start with, I twirled two snakes of silver and black around each other, folded the new rope to and fro into a roughly rectangular shape and rolled it flat. I wanted to test making two sets of earrings, one thinner than the other.

Premo! experiment - Thick earrings

Premo! experiment – Thick earrings

For the thicker earrings, I used a rectangular cutter and cut out two pieces. I continued to roll the remaining clay into a thinner sheet, and then cut out a circle using another cutter. (I haven’t used this circle yet.) I used a larger circular cutter on the remaining clay, and then cut the resulting shape into two equal earring pieces.

Premo! experiment - Thin, curved earrings

Premo! experiment – Thin, curved earrings

There was still some clay left, and I rolled it up into a snake, and used it for lining the edges of all four pieces. I then poked holes in the pieces for inserting jump rings later.

While baking, I kept the thinner piece bent over some folded card, so its surface is curved.

Results: The thicker one is sturdy, and the thinner one is slightly rubbery when I try to bend it, but pretty sturdy too. It didn’t chip or break when I tested it. (Reminded me of the time my experimental Sculpey III piece snapped.) Of course, I didn’t try my hardest to break it — after all, what earring goes through such hardships? 😛

The buckle

Premo! experiment - Buckle

Premo! experiment – Buckle

I used a mold for the torus base. Then, I decided to mix things up, and cut out uneven strips from an old Sculpey III sheet of brown (from the dragonfly project.) I first laid out thicker strips on the base, and then I rolled thinner strips around it. Finally, I firmly attached a decent-sized solid cylinder, made from the same clay as the base, for the buckle’s support.

Result: This piece is born to be a buckle — look at how it’s holding a belt in place! ❤

So overall, I like Premo!, as long as I find newer stock. (Because conditioning old clay is not fun.)