Image Transfer: Coasters

I’ve not participated in challenges lately due to my creativity having become sluggish, but this month’s theme at Art Elements – Stars by Laney Mead, brought forth some tiny sparks in my right brain. 🙂 By the time I thought of joining, I’d already created some Diwali gel prints using the only stencil in our stash that has some star shapes in it, so I hoped other ideas would appear soon.

I considered various ideas involving beading, wire-weaving, faux soutache with polymer clay, and gel printing, but none clicked. Then, I came across some old printouts of star shaped patterns that I’d thought I’d use for image transfer jewelry using polymer clay. Since I was still woefully short of jewelry ideas, I settled on making a set of coasters instead.

Polymer Clay Coasters using Image Transfer

Don’t see too many stars? That’s because I ran out of prints…

 

The ‘sure’ idea

I wanted colorful bases for my coasters, and instead of spending time and the little energy I had on Skinner blends, I brushed a variety of chalks on plain, unbaked circular clay sheets. (Now that was fun. :)) I transferred the star pattern image onto a sheet of translucent clay, intending to adhere it face-down on a coaster base so I could bake the whole setup and then sand+buff the translucent surface. However, before I could place the translucent sheet on the circle, the sheet just tore apart. Argh, the horror!

Since I’d transferred images onto clay before, I’d been pretty sure that this would work, and now I didn’t have enough copies of the star prints left to form a ‘proper set’ of 4, so I opted to just use a different pattern for each coaster instead.

An alternative

The translucent clay just didn’t want to work with image transfers, so I started looking for alternatives. Liquid polymer clay can be used as a medium for the transfer – but surprisingly, it didn’t produce great results on my unbaked sample bases or baked ones. Then my sis suggested transparent matte gel, and it worked brilliantly! So I applied the gel on my baked coaster bases and stuck the paper on it pattern-side down, and waited for the gel to set completely. I then got the paper soaking wet and gently rubbed it away from the base, leaving the pattern behind.

Finally!

As usual, things just had to work a bit differently on the final pieces than on the samples. 🙂 The ‘gently’ part turned out to be difficult, and I rubbed away the pattern at a few places on two of the coasters. By the time I was on my second piece, I noticed that the pattern would appear pretty vibrant and clear while wet, even if traces of paper showed up everywhere while dry. So for my last two pieces, I decided to just leave all of that stubborn trace paper be, and waited for the pieces to dry fully. Then I poured some resin over the coasters, and voila! Vibrant, patterned coasters, just the way I want. They’re still curing as I write this post, so I haven’t tested them yet; I hope they work well and last a long time.


I was pretty sure I won’t have anything done for this challenge, and even though only one of the patterns has any resemblance to stars, I hope this little something is still better than nothing. Thank you, Laney, for the heavenly theme! I’m looking forward to seeing what the other guests and the Art Elements team have come up with; let’s go blog hopping!

Guests:  Jill Divya Alysen Kathy Tammy Cat Samantha Anita (you’re here) Karin Sarajo Rozantia Kimberly

AE Team: Jen Jenny Niky Laney Claire Cathy Marsha Caroline Susan Lesley

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ABS Challenge – Feb – Star Lovers | Beads

The folks at Art Bead Scene Studio feature awesome artwork every month, and challenge their readers to create art beads, and art-bead-incorporating jewelry, inspired by the artwork. February’s inspiration is a piece, Star Lovers, by Warwick Goble.

ABS Challenge Feb 2018 -- inspiration

This month has been a bit hectic for me, which I feel is because the number of things to do remain the same but there are fewer days to do them in. So I decided to split this challenge into a bead submission first, and then a jewelry submission using the beads from the first submission.

I totally loved the flowing elements in this illustration — the birds, the lady’s dress, even the stars, all flow and swirl and float, adding to the dreamlike feel of the picture. Since Goble was an illustrator, my immediate thought was to draw something myself. On a good day, I can manage okay on paper, but on clay, not really. So I opted for the next best thing — image transfer. It counts as drawing if I transfer a digital image that I created, right? 😉 In order to make similar beads, I made my digital image have tiled patterns comprising of flowing, swirling little items.

ABS Challenge Feb 2018 -- Swirly Polymer Clay Beads using Image Transfer

I used blue and gray Sculpey Premo polymer clay to make the beads. For the image transfer, I cut out and used different sizes from the tiles in my printed-out image. I then brushed pink and orange chalk pigment on the beads for a salmon color. (It still looks mostly pink because the orange somehow wasn’t stronger than it was.) I also lightly added some yellow, which mostly manifests as green. I then adhered the beads to thicker bases. The center of the beads is empty, and it looked a bit like a ghost town compared to the busy surroundings, so inspired by the stars in the picture, I added some glitter there and spread it slightly.

Post-bake, I drilled holes in the beads, and secured the glitter by applying some liquid polymer clay over the beads and waving a heat gun over them until the clay set. And that’s our beads, all ready to be made into jewelry!

Image Transfers and Hollow Bead Weaving

I squeezed in my second PCA-inspired project for the month just before this very hectic month ended. And I’m thrilled to bits with it!

Beaded Pendant with Image-transferred Hollow PolyClay Bead

Beaded Pendant with Image-transferred Hollow PolyClay Bead

The course by Syndee Holt is all about image transfers, monoprinting, and coloring using alcohol pens. The image transfers were pretty frustrating in the beginning — they’d turn out patchy and indistinct. I spent quite some time and effort on repeated variations of my attempts, only to have to wipe away the transfer each time. Of course, there’d still be some residue, which would pollute my clay, tsk! Eventually, I ended up looking around for what others have done about it, and I finally, finally achieved a beautifully solid print. I just love it! (I want to go try one more right now, as I’m typing here. I can see the beginnings of an addiction forming! 😛 )

I’m not buying alcohol pens right now, but I did try some monoprinting. Not very successful there. It could be that my local products are different, and the techniques demonstrated don’t work without modifications to work with these products.

Well, so I just had a image-transferred sheet of clay with me, and nothing to beautify it, so I carefully made my very first hollow bead from the sheet. Of course, I don’t have a cutter of this shape — it’s a composite shape that I made using two different cutters. I made the bead hollow by puffing out the cut shape, and slowly, carefully adhering it to a base. It’s a bit cumbersome, but it’s also more conducive to forming different shapes from a limited quantity of cutters and stencils. This particular bead’s a bit rough around the edges, but that was okay since I was going to do some nice bead weaving around it. 🙂

The bead weaving is completely Peyote stitch. I used the uniform beads that I bought recently (sizes 8 and 15), and some limited stock of uniform beads (size 11) that I’ve been preserving for the time when I can actually work with them like this. I’m not sure what I’ll do when my size 11 beads run out; hopefully, my local stores will start carrying uniform size 11 beads too. <Fingers crossed>

So, think you wanna try any of the techniques I’ve mentioned?