Textures and Molds

Now that I have new clay, I went through my paltry stash of textures and molds, and wondered if the items in it work for the techniques that I see in jewelry tutorials and courses. I’ll not be ordering internationally any time soon because of the recent tax restructuring we’ve had here, and it looks like my orders will become more expensive than they already are right now, and burn larger holes in my non-existent women’s jeans pockets. ๐Ÿ˜‰

The texture sheets with me are mostly the flowers-and-leaves variety — not really meant for jewelry. There are one or two patterned ones too, which I thought I could use. These are good for applying post-texture surface treatments like Perfect Pearls, but since they’re not that deep, they’re not really suited for much else. I used one of them for making earrings (picture below), and that was as deep a texture as I could get. I couldn’t do much else with it, so ended up adding a border and some Perfect Pearls. As for the other texture sheet, I’d used it to try out my first Sutton Slice recently, and it was hard, hard work — I’d wanted texture sheets with more depth even then. ๐Ÿ™‚

Earrings - texture tryout

Earrings – texture tryout

As for the molds, again, most are flowers and such, and a few gear ones that I can probably use for Steampunk jewelry. There were a couple of small ones that I used a while ago to make button beads, which I then used for some beaded jewelry. No larger ones that I could use, though. I finally used a vintage art decor mold to see if it’d work as a pendant, and made a hollow pendant (picture below.) Not too bad, but not too good either. Also, this too depends on the shiny stuff, because trying to use a patterned sheet etc. with this mold will distort the design. I reused a Perfect Pearls bedecked flower that I’d created from a mold for an earlier notebook cover project. This flower can make some nice tiny stud earrings, right?

Pendant - mold tryout

Pendant – mold tryout

Well, at least while I tried these experiments, I realized that I’ve now gotten pretty good with Skinner blends. ๐Ÿ˜€ I like the green-to-yellow gradient here. I’m also getting the hang of making hollow beads / pendants, so that’s good.

Later, my sister mentioned that the mold I used was one of her purchases, and then we ended up going through her card-making stash of stamps, which I’d somehow thought was only comprised of flowers and critters. ๐Ÿ™‚ Some of the stamps might work for a few polymer clay techniques (hopefully.) There’s also some foils that we bought recently, so I’m looking forward to more experiments!

Image Transfers and Hollow Bead Weaving

I squeezed in my second PCA-inspired project for the month just before this very hectic month ended. And I’m thrilled to bits with it!

Beaded Pendant with Image-transferred Hollow PolyClay Bead

Beaded Pendant with Image-transferred Hollow PolyClay Bead

The course by Syndee Holt is all about image transfers, monoprinting, and coloring using alcohol pens. The image transfers were pretty frustrating in the beginning — they’d turn out patchy and indistinct. I spent quite some time and effort on repeated variations of my attempts, only to have to wipe away the transfer each time. Of course, there’d still be some residue, which would pollute my clay, tsk! Eventually, I ended up looking around for what others have done about it, and I finally, finally achieved a beautifully solid print. I just love it! (I want to go try one more right now, as I’m typing here. I can see the beginnings of an addiction forming! ๐Ÿ˜› )

I’m not buying alcohol pens right now, but I did try some monoprinting. Not very successful there. It could be that my local products are different, and the techniques demonstrated don’t work without modifications to work with these products.

Well, so I just had a image-transferred sheet of clay with me, and nothing to beautify it, so I carefully made my very first hollow bead from the sheet. Of course, I don’t have a cutter of this shape — it’s a composite shape that I made using two different cutters. I made the bead hollow by puffing out the cut shape, and slowly, carefully adhering it to a base. It’s a bit cumbersome, but it’s also more conducive to forming different shapes from a limited quantity of cutters and stencils. This particular bead’s a bit rough around the edges, but that was okay since I was going to do some nice bead weaving around it. ๐Ÿ™‚

The bead weaving is completely Peyote stitch. I used the uniform beads that I bought recently (sizes 8 and 15), and some limited stock of uniform beads (size 11) that I’ve been preserving for the time when I can actually work with them like this. I’m not sure what I’ll do when my size 11 beads run out; hopefully, my local stores will start carrying uniform size 11 beads too. <Fingers crossed>

So, think you wanna try any of the techniques I’ve mentioned?