Diwali Gel Prints

Our Diwali consists of hanging paper lanterns and lighting lamps, and we continue with the lanterns for 12 days until another festival, Tulasi Pooja. This festival has us worshiping the sacred Tulasi plant. Following this, the lanterns finally come down, and go into the attic until next year. 🙂

I made some gel prints to represent Diwali, and I think a few of them also apply to the 12 subsequent days. The lanterns might finally be off now, but it feels wonderful to have these prints remind me of the festivals!

I used stencils for both the background and the foreground. Getting the prints to come out well in as few attempts as possible is still a trick I haven’t got the hang of, but I’ve noticed that once they start turning out good, they keep turning out good for a while…

I might still be in a jewelry funk, but I’m glad there’s still some creativity in me to channel in another direction while I wait for the jewelry mojo to return. 🙂 If I keep at the gel printing, I’ll probably start an art journal instead of picking up random pieces of paper.

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Something New…

I’ve been seeing a dip in my creative mojo as far as my usual pursuits are concerned. Instead of trying to channel energy into forced jewelry making, I tried out random new things – not really jewelry-related – for a creativity lift. One was some basic weaving, and the other, gel printing (or mono printing with gel plates.)

Gel printing is a lot of fun, and I think it’ll be super-addictive if I keep at it. Acrylics are a staple in our arsenal anyway, and my sister already owns a Gelli Plate, so it was a no-brainer to get it all together on my work table and have some unplanned fun.

Gel Printing Trial

Gel printing itself is very simple – the most basic process involves applying an even coat of one or more colors of acrylic paint on the gel plate, placing a paper sheet face down onto the plate, lightly burnishing the paper to transfer the paint onto it, peeling back the paper and admiring your print. Stencils or stamps can be used to add visual texture and definition to the print, and layering your prints makes complex prints possible. Even the leftover pattern on the gel plate can be used to get a ghost print, which in itself could turn out interesting. So many possibilities!

For this session, my very first, I played with just one texture – a mesh bag. It took me a few tries to use the brayer/roller right. (The brayer is used to spread and mix colors as a thin layer.) Very soon, I ended up with some hardened paint on a part of the brayer, which I spent an afternoon removing – if left as is, that uneven paint layer would make future brayer applications uneven.

I’ll need practice if I want the prints to turn out better, but right now, the idea is to not think much and just enjoy a creative break, and this is the perfect activity for that. Each print turns out different, and the slightly unpredictable nature of the results make it easy to let go. I’ll definitely do more gel printing, though I have no idea what I’ll do with the prints! 🙂

Paper/Fabric Bead Earrings

My previous use of fabric had me thinking of using it again for an easy pair of earrings. At first, I thought I’d make fabric beads, but in my stash search, I found paper calling to me as well. In the end, I made paper beads to which I added fabric strips, and made earrings out of them.

Paper/Fabric Bead Earrings
I made conical paper beads at first, and painted them with red and pink acrylics for some great color. Then, I laid out thin strips of spare fabric, and applied E6000 along their length on one side so I can attach them to the paper beads. I wound these strips around the paper beads, starting at the bottom, spiraling towards the top. I ran out of my first strip just before I reached the top, and since I liked the look, I decided to not add on another to fully cover the paper bead. I used a needle to pry some of the thread free from the fabric to get a fuzzy look. I think I might have overdone this, however. 😛

Once the beads were dry, the earrings came through without too much hassle. For each earring, I poked a headpin through a small bead cap, an accent bead, a paper/fabric bead and a seed bead, and made an eye loop at the top, to which I added an earring finding.

That’s it! Easy and fun, what more can one ask for? 🙂

Icy Blue Earrings

This month’s We’re All Ears challenge on Earrings Everyday goes a bit meta – it is inspired by another contest! 🙂 The original contest was Circles are the New Triangles, and was hosted by Spoonflower (where you can create custom-designed textiles – oooh!) Erin at Earrings Everyday rightly thought that the designs are fun inspirations for some earrings.

One of the designs caught my eye, since I’d bought a white dress with blue prints recently. It was one of those happy times when I instantly knew which inspired elements my earrings would contain – circles! triangles! fabric! white! blue! – and which technique I’d want to use – antiquing! Though the concept for these earrings is icy blue, looking at the results, I feel like there’s a bit of spring hiding in them too.

Icy Blue Earrings | Anita

I began by rolling out a sheet of white Premo! at medium thickness, and poked pits into it in circular patterns. I then cut out triangular shapes for the focal beads, cut out arcs from their tops, smoothened the edges and faces, and baked them.

Now for the antiquing. I smeared slightly thinned blue acrylic paint on the beads and into their recesses, and after a while, wiped it off from the raised surfaces. I repeated the process once more, and lightly sanded the surfaces to remove unwanted paint. I then drilled two holes each along the top arc.

The beads were now ready for a thin coat of Vintaj glaze, and I left them to dry overnight since it was already pretty late in the day.

The next morning, I added a small jump ring to each of the holes, and connected them to a larger jump ring so it nestles in the top arc of each bead. I also added an earring finding to each of the larger jump rings.

For additional interest, I cut strips from some spare threadbare blue/green fabric, and used a lark’s head knot to tie each strip at the intersection of jump ring and earring finding. I dabbed E6000 at the back of each knot to secure it, and snipped away the ends a bit more.

I totally love this pair, and it’s a perfect fit for my dress.


Don’t forget to check out entries from the other participants by heading over to the reveal at Earrings Everyday!

Art Elements Mar Theme – Nests

I’ve loved following the Component of the Month challenges from the folks at Art Elements, where team members would give away components every month to design with. I’ve seen some gorgeous stuff from the AE team as well as the guests. The only reason that kept me from participating is that historically, I’ve received most international packages of any perceived value after substantial delays (or they’ve gotten lost), so there was no guarantee that I could make something in time for these challenges.

Now, Art Elements has changed its design challenge format to monthly themes that encompass all art mediums, and I jumped at the chance to be a part of it! The theme for this month is Nests.

Of course, I thought of a birds nest first, but I wanted to see if I could come up with something different, so it was relegated to Plan B. I went through my bead stash for inspiration, and I thought of a pearl nested inside a clamshell. I spent some time with the idea, but found I wasn’t going anywhere with it.

While I was ruminating, other options that could replace a clamshell were also flitting around my mind – and I settled on the idea of an organic-looking nest for the pearl using polymer clay. Now that could work as a pendant! By now, however, I only had a week to make the piece. (How do I always end up here? 😉 ) To my relief, I managed to find the time to work on it, and this is how it turned out –

Art Elements Challenge - Polymer Clay Pendant with Nested Pearl

The outermost layer, and the upper part of the inner layer, are quite iridescent, but we know that it’s difficult to capture that shine sometimes. 🙂

The nest layers: I conditioned my Fimo clay just enough for it to be pliable but still have jagged edges. From this, I cut two strips – one for the inner layer and one for the outer one. Along the jagged edge of the inner layer, I added some slices from a mokume gane slab that I’d worked on a while back. On the outer surface of the outer layer, I used a texture sheet repeatedly to make quite a few ridges. Then I smoothed out any remaining jaggedness from the edges.

I attached the layers onto a base, shaped them, and baked them. While baking, I used little paper balls to keep the layers from drooping out of shape. This bake was a short one, because I still had to make the back of the pendant.

The back: I first smeared liquid clay on the back. From a length of wire, I made eye loops on both ends for the bails, and placed it on the back, between the top and center. I covered the back with a mildly textured circular sheet of clay. More baking followed, for a standard bake period this time.

Surface treatments: I painted the outer layer with acrylics, and sanded away the paint from the raised surfaces for a distressed effect. I then added more surface treatment using waxes and mousse from Art Alchemy and Nuvo.

Finishing: I placed a large faux pearl bead within the inner nest layer. For now, I’ve strung a stray cord through the bails for the necklace, but I’ll replace it with something else better soon.

Phew, I’m still surprised, and jubilant, that I managed to finish this pendant! 🙂


If you’re curious to find out what the AE team and the other guests have made for this challenge, go have a peek at their blogs!

Guests:    Alysen    •    Anita (that’s me!)    •    Divya    •    Kathy    •    Kym    •    Mona    •    Rosantia    •    Sarajo    •    Tammy

AE team members:    Caroline    •    Cathy    •    Claire    •    Jenny    •    Laney    •    Leslie    •    Lindsay    •    Marsha    •    Niky

Jewelry Box

Since I barely managed to finish my quota of last month’s PCA courses, I decided to start early this time. 😀

Jewelry box - after

Jewelry box

Jewelry box - before

Jewelry box (before)
Image used from the online store’s website since I forgot to click a picture before I started. 😀

Teresa’s course is about beautifying a wooden jewelry box using painting, silkscreening, decoupage and resin. Amongst all PCA projects I’ve worked on so far, the lack of materials where I live is most evident in this one.

For the painting — the acrylics that are available here are kinda tacky, and they dry quickly to a rubbery texture; I find they’re unsuitable for a large variety of ‘advanced’ projects that interest my sis or me. Silkscreens are not available locally at all, and as for the resin, I was going to buy it only if I could come up with a layer that’s worth the gloss. So I set to work on the project with whatever I could use. (I was actually surprised I could find a jewelry box to work on. 🙂 )

I had to first flip the lid of the box inside out, since it originally had a flat outside and an inset on the inside. However, the reverse is what works for this project.

I managed to paint the box fine — a red-brown base layer, and then some white and brown lightly distressed texture over it. I toyed around with the idea of an image transfer onto the surfaces. (Looks like my latest project is still on my mind! 🙂 ) But I’m still not sure that the transfer will turn out 100% alright. If it turns out patchy, that’ll be the end of this box, since I won’t be able to cleanly wipe the ink away. Instead, I tried using a texture stamp to imprint some nice patterns on the box, but it turned out pretty bad. In the end, I just used the texture stamp on a sheet of clay, and lightly ‘antiqued’ it with white paint post-bake. I also added a clay border to the inset since the textured sheet didn’t really warrant using resin. I finished with a thin layer of Mod podge instead.

My project is nowhere like Teresa’s, but I still like it since it turned out perfect to store our antique jewelry. 🙂 My sis wants to decorate it even more, and I can’t wait to see how she’ll enhance it!

Button beads for… beading!

Yippee! The beading gods have finally heard my prayers. My local stores now sell Preciosa seed beads, so I don’t have to order uniformly sized beads from overseas. <Dances a little jig.> So I now have beading needles, beading thread, aaaand… beads! I’m all set to practice some beading. Peyote stitch, get ready to be conquered!

Antiqued polymer clay flower / button beads

I made these button beads from polymer clay, thinking I’ll work some beading around them whenever I’m done learning a few beading stitches. I used a mold for these beads, and used acrylic paints for antiquing. The mold impressions are deep at the edges, and there’s a whole lot of paint there that I just couldn’t get rid of, but I’m not bothered much. After all, they’ll all be obscured by the beading. 🙂

Hope against hope that I get to working more on these soon. I’m chugging along on a knitting project right now, though. I’m on the edging for one sleeve, and then I’ll only have one sleeve left so I’m pretty eager to finish that too. Hmm, I think I can aim for beading practice only next week.

Am I too greedy to hope that Miyuki seed beads become available locally too? 🙂