Attempt at Mokume Gane

Now that I have a good amount of clay at my disposal, I tried my hand at some Mokume Gane.

I layered multiple sheets of different clay colors, and used a texture plate for my first try at pressing down on the ‘block’, and quite a few presses with a blade. When I tried slicing a few layers, I realized the impression wasn’t deep enough. For my second attempt, I used a stamp instead of the texture plate. And this time, I loved the patterns!

Mokume Gane attempt

I still need to work on my slicing, though. My slices turn out tiny — I probably move the blade upwards as I slice. And when I compensated for that, I ended up gouging out a huge section! (Ugh… πŸ˜€ ) I’m hoping I’ll be able to slice away nice, thin, large layers as I practice more.

Of course, I’ll still use the tiny slices — and the gouged out part — from this attempt as veneers for some jewelry.

Until my next post, then!

Advertisements

Opposite Earrings

Another PCA-inspired project this time — an earring pair with the stripes in one running in a direction opposite to the other.

Opposite embellished earrings

The course that inspired me is Embellished veneer cabochons by Debbie Crothers. Debbie teaches how to make cabochons by applying multiple veneers, created using various techniques, onto a surface. A key component in her veneers — silkscreens — is still elusive in my local market, so I decided to work without silkscreens. I made some new veneers, and also reused leftover ones from other projects. I also made some stud earrings to attach the dangles to. I love the studs too. πŸ™‚

I finally used some techniques that I’d been wanting to for a while —

I applied gold foil onto my clay. I rubbed the foil backing with my fingers, and the transfer was decent. Maybe it’ll be better with some quick waves of a heat gun? I’ll need to try that out sometime.

I also used liquid clay on the surface for some glossy shine! I have to consciously stop myself from abusing this technique. πŸ™‚

I had some plans to fill up the zigzagging line in the middle, but in the end, I decided to scrap them. I’m pretty happy with this pair.

Wire Weave Bangle

Time for a wire weaving project!

I made a wire-weave bangle last week, with a pearl bead duo forming the focal element.

Wire weave bangle

Wire weave bangle

Or it could be a wire-weave tiara, if you ask my favorite model, Penguin. πŸ˜‰

Wire weave tiara?

For this bangle, I used three 16-gauge base wires and a 24-gauge weaving wire, both in a gold color. (Yup, I still use the thick wires that I ordered a long time ago.) I cut the base wires just a tiny bit longer than the intended circumference of the finished bracelet, because I wanted to add some small focal element in the end to actually finish it.

I kept my weaving wire uncut, since I’m still not good at estimating the length of wire I might need. I’d thought of measuring the wire as I unwind more and more of it, but somewhere along the way, I lost track. (This is what happens if you watch movies while working on projects! πŸ™‚ )

I left a margin of about 2-3cm (1″) when I started to weave. The pattern is an uncomplicated one — loop twice around bottom two base wires, loop twice around top two, repeat. The weaving itself was fun, since I also had the aforementioned movie-watching to accompany it. When I reached the end, I left the same margin as the beginning. At each end, I curled the middle base wire into loops, and bent its companion wires around it. That was the difficult part — since these are 16-gauge wires, it’s pretty difficult to make minute adjustments with them, and it was impossible to not nick the wires.

I then gradually curved the entire strip into an open bangle. To close it, I strung two pearl beads onto a length of wire, added eye loops at both ends of the wire and attached it to the loops of the bracelet.

I’m pretty happy with this bangle. πŸ™‚ My next bangle will have a new weave, of course, but I’ll also make at least one more of this one, maybe with a different color of weaving wire, since both my sis and my mom like it!

Textures and Molds

Now that I have new clay, I went through my paltry stash of textures and molds, and wondered if the items in it work for the techniques that I see in jewelry tutorials and courses. I’ll not be ordering internationally any time soon because of the recent tax restructuring we’ve had here, and it looks like my orders will become more expensive than they already are right now, and burn larger holes in my non-existent women’s jeans pockets. πŸ˜‰

The texture sheets with me are mostly the flowers-and-leaves variety — not really meant for jewelry. There are one or two patterned ones too, which I thought I could use. These are good for applying post-texture surface treatments like Perfect Pearls, but since they’re not that deep, they’re not really suited for much else. I used one of them for making earrings (picture below), and that was as deep a texture as I could get. I couldn’t do much else with it, so ended up adding a border and some Perfect Pearls. As for the other texture sheet, I’d used it to try out my first Sutton Slice recently, and it was hard, hard work — I’d wanted texture sheets with more depth even then. πŸ™‚

Earrings - texture tryout

Earrings – texture tryout

As for the molds, again, most are flowers and such, and a few gear ones that I can probably use for Steampunk jewelry. There were a couple of small ones that I used a while ago to make button beads, which I then used for some beaded jewelry. No larger ones that I could use, though. I finally used a vintage art decor mold to see if it’d work as a pendant, and made a hollow pendant (picture below.) Not too bad, but not too good either. Also, this too depends on the shiny stuff, because trying to use a patterned sheet etc. with this mold will distort the design. I reused a Perfect Pearls bedecked flower that I’d created from a mold for an earlier notebook cover project. This flower can make some nice tiny stud earrings, right?

Pendant - mold tryout

Pendant – mold tryout

Well, at least while I tried these experiments, I realized that I’ve now gotten pretty good with Skinner blends. πŸ˜€ I like the green-to-yellow gradient here. I’m also getting the hang of making hollow beads / pendants, so that’s good.

Later, my sister mentioned that the mold I used was one of her purchases, and then we ended up going through her card-making stash of stamps, which I’d somehow thought was only comprised of flowers and critters. πŸ™‚ Some of the stamps might work for a few polymer clay techniques (hopefully.) There’s also some foils that we bought recently, so I’m looking forward to more experiments!

Another Notebook Cover

Whoo! My first ‘combination’ project from the PCA courses — another notebook cover, which isn’t remotely similar to the first one I made.

Notebook cover, from multiple PCA courses

I used Sculpey Terracotta clay for the cover’s base, Sculpey III and Fimo Effects for the components, and a whole lot of TLS to bind things together. I’ve used learnings from all these courses —

  • Notebook cover fundamentals from Anke Humpert’s course — the most difficult part here was getting a uniform base layer, since the layer’s bigger than my pasta machine. πŸ™‚
  • Inlay pattern from Suzanne Ivester’s course — this was the one that took the longest time. Also, the non-uniform depth of the stamping at the very edges — I need to figure out a way to handle this. I tried using a paper layer between the clay and the stamp’s edges to prevent it from pressing too much into the clay, but that didn’t help much at all.
  • Succulents from Cindi McGee’s course — I wish I had chalk pastels for subtle shading. I tried paints and it didn’t look so great. Perfect Pearls it is, then!
  • Flower shaping and mosaics from Christi Friesen’s course — I used Perfect Pearls for the shine. I have other ideas for gold leaves / foils, and hopefully they’ll turn out good.
  • Stripey borders from Lisa Pavelka’s course — Of course, the Terracotta clay turned out to be too smooshy to retain the uniformity of layers while cutting, but that does contribute to the organic look, I think?

I’d originally thought of only 2, or 3, projects to combine, but as I kept working on this one, I just kept adding stuff. Good thing I stopped eventually, huh? πŸ™‚

I hope this cover lasts, and doesn’t get damaged while handling. I’ve kept even the raised elements close to the ground, so to speak, so there’s less danger of them getting chipped, but one isn’t usually very careful when using a notebook, right?

Beaded Earrings for a Set

I made companion earrings to wear with my beaded pendant — the image-transfer one. While I was looking up stitches to use, I ran into a tutorial by Bronzepony Beaded Jewelry for exactly the design I had in mind! That’s the second time this month I’m running into ready-to-use recipes for stuff that I want to make. (The first one was for my latest knitting project.)

Beaded earrings using CRAW

Beaded earrings using CRAW

For these earrings, I used the size-8 green beads and smaller size-15 brown beads that I’d used for the pendant. I made 12 units of Cubic Right Angle Weave (CRAW) with the larger beads, and embellished them with the smaller beads — one small bead between two large ones on the inner curves of the cubes, and two small beads in a similar fashion on the outer curves.

CRAW was not difficult to understand at all — not all difficult. I mean, it’s way too easy to imagine constructing a cube — first a floor, then walls, then ceiling. The execution of the first unit, though, was a different matter. Invariably, while I pulled the thread through the beads, I would lose my grip on the tiny setup that I created thus far, and then, it would be extremely difficult to bring the orientation back to where I was, and figure out which bead to go into next. I would just turn and turn the connected beads in my hand, all the while scratching my head. I tried to use the stop bead as reference, but it didn’t work for me. I even tried Jill Wiseman’s ‘taco’ style of construction, but with similar confusions.

After a couple of failed starts, I solved the problem by threading my stop bead into position at the center of the reinforced first square. That helped provide a ‘proper’ reference point for me. It was smooth sailing from then on.

When I was done constructing the drops, I threaded a couple of faux pearl beads into head pins, and attached each pearl-duo to a piece. I made eye loops at the top, and added ear wires to complete the earrings.

New Clay

It’s been a while since I made something from clay, and thanks to a friend who was willing to haul back my order from their short visit to the US, I now have newly-bought clay to work with!

New clay

Of course, I’m still sticking to my plan of combining salient learnings from more than one PCA project into a single project. It’s fun trying to imagine which projects might work well together! I hope I manage to make something this month.

I’ve also been looking at some beading stitches to decide which one works well for a jewelry set I have in mind. I hope that materializes this month too! πŸ™‚