I made a hollow earring pair. Then I buffed and I buffed and I buffed for what seemed like ages, and… there’s only the tiniest bit of sheen. What the…?! It’s supposed to buff up more quickly than that! I’ve even used the same tee shirt that I use for hand buffing, so the only change is the addition of the tool. Could it be the clay piece that’s the problem?
So I hand-buffed the other earring, and there’s zero sheen on it. The only other time this happened to me was when I tried to buff a Sculpey III piece and discovered that it likes to stay matte regardless of how long you buff. Don’t tell me I used Sculpey III for the colors in my mokume gane! (I know for a fact that the white is Premo.)
I do really want to use the mokume gane slices before they dry up and become difficult to use — I had old veneers tear on me on more than one occasion when I tried to work with them. So I sparingly added the mokume gane slices over more Premo white than earlier, and tried buffing again. This time, I made three similar cabs to use up the mokume gane sheet. These are not hollow, though — they have a Sculpey Original base. I baked, sanded and buffed them, and the sheen is much better on these!
As for the hollow earrings from my first attempt, I applied a thin layer of Kato liquid clay and waved a heat gun over them for a quick sheen.
I also ended up making other (mostly stud) earrings from the remaining tiny mokume gane slices.
I still have a thick sheet of the mokume gane block left, and I need to figure out soon how to use it up. In the worst case, I’ll make a Natasha bead from it.
For my next buffing trial, I’ll make some ‘fully Premo’ pieces and try for a higher gloss, and I’m guessing the results would be better. 🙂 If they do turn out better, I’ll want to buy a lighter tool since the drill I’m using is pretty heavy to hold over extended periods of time, even when it’s partially supported on a table top.